Excellent soundboard recording (taken from master mix-down tapes.
Recording from "The RS Archives"

01. Downtown Life
02. Everything Your Heart Desires
03. Rich Girl
04. Kiss On My List
05. Possession Obsession
06. Everytime You Go Away
07. Keep On Pushin' Love
08. Method Of Modern Love
09. Family Affair
10. Talking All Night
11. I Can't Go For That (No Can Do)

01. Out Of Touch
02. Rockability
03. Missed Opportunity
04. Sara Smile
05. She's Gone
06. Wait For Me
07. Maneater
08. Adult Education
09. You Make My Dreams
10. Private Eyes
11. Realove
12. I Saw Her Standing There

Joining Daryl Hall & John Oates in this show are:
Tom "T-Bone" Wolk - bass
Mike Klvana - keyboards
Bobby Mayo - keyboards
Tony Beard - drums
Mark Rivera - saxaphone
Pat Buchanan - guitar

About "The RS Archives":
The RS Archive consists of a selection of live recordings made by a great individual who passed away in 2005.

RS worked in the music industry in many capacities….a music fan….a musician….a sound engineer. He was considered one of the best behind the mixing board. I was honored to have known him for practically 35 years. There was no one like him….he was a wonderful human being. Everybody loved him. He was a level-headed guy who knew what sounded good and what didn't. He could conceive and design sound systems from scratch in his head to meet the artist’s needs. Whatever they wanted, he could do.

For years, he mixed music at the annual Grammy Awards and the American Music Awards television show. RS worked closely for years with Daryl Hall and John Oates, Juice Newton, Anita Baker, Mariah Carey, Tears for Fears, Crack the Sky, Kid Creole and the Coconuts, Aretha Franklin, Pink Floyd, Whitney Houston, Bette Midler, Ann Murray, Michael Bolton, Kenny G, Tony Bennett, Johnny Cash, Eric Clapton, John Fogerty, Bonnie Raitt, Frank Sinatra, John Hiatt, Little Feat, Little Village, and Waylon Jennings…..to name a few.

He had a huge reputation in the business, and that's why he was chosen to work with such budding clients as Mariah Carey. With the major stars, he was one of the preferred engineers they choose to work with. A particular client of RS who had a reputation for firing sound engineers with great regularity was Anita Baker, whom he won over not only with his technical abilities and personality, but with his refusal to put up with her criticism. He quit a few times but always came back because she loved the way he mixed her music. He could coddle difficult and temperamental celebrities, and they respected his work. He was able to kick back and get along with them. Even though he knew these people, he was a very modest man.

So now, it is time to honor him by sharing some of the many recordings he made while on the road. All are perfect (or near perfect) soundboard recordings made from the master cassettes or master dat tapes. Unfortunately, I am not able to identify the original equipment these tapes were made on, however I can say that for the transferring process, the cassette tapes were played back on a Nakamichi CR-7A, and the dat tapes on a Sony PCM-R500. They were all burnt onto cdr using a HHB CDR-850.